Hurston/Wright Foundation | The Last “Darky”
23206
single,single-books,postid-23206,single-format-standard,ajax_fade,page_not_loaded,,select-theme-ver-1.7.1,wpb-js-composer js-comp-ver-4.3.5,vc_responsive
 

The Last “Darky”

The Last Darky

CATEGORIES:

History,

The Last “Darky”

by Louis Chude-Sokei

The Last “Darky”: Bert Williams, Black-on-Black Minstrelsy, and the African Diaspora

The Last “Darky” establishes Bert Williams, the comedian of the late nineteenth century and early twentieth, as central to the development of a global black modernism centered in Harlem’s Renaissance. Before integrating Broadway in 1910 via a controversial stint with the Ziegfeld Follies, Williams was already an international icon. Yet his name has faded into near obscurity, his extraordinary accomplishments forgotten largely because he performed in blackface. Louis Chude-Sokei contends that Williams’s blackface was not a display of internalized racism nor a submission to the expectations of the moment. It was an appropriation and exploration of the contradictory and potentially liberating power of racial stereotypes.

$23.95|Buy Now